Sigrid Christiansen

Jerica Remiter from the Philippines arrived in New Zealand in March.

A few months in, she was struggling with her confidence. Not so any more, her “after video” shows, made as a final touch to the course she had graduated from.

In the clip, from the first “kia ora everyone,” to the final “thank you so much,” it’s clear Jerica, based in Balfour, Southland, gained much in the way of English mastery, and is overjoyed with her progress.

“I was one of the lucky first batch of students to do the course with AgriTeachMe,” she said.

“It’s not your typical English online class, that you can do to learn to communicate with Pākehā or Kiwis here.

“It will also teach heaps of knowledge when it comes to culture, rules of the road, and even in your work.”

Her partner’s employers and friends have all noticed the change.

“My confidence is really far from what they know when they first meet me. They are glad of my improvements in regards with the English language.”

In mid-September, the employers even asked her to cater for the team’s social meeting - she made Filipino dishes such as pork adobo - and to do a spoken introduction for the evening.

“It was an amazing experience,” she said. And the diners loved the food – all of their plates were empty and they were looking for more, she said.

Lyzanne Du Plessis describes Jerica as “our star student”.

“Her progress was phenomenal.”

In the video, Jerica said she hopes the courses keep going, so other migrants like her can one day enjoy the same opportunity.

Jerica's joy

Farming families are being called on to help connect Filipina women with an online new English language programme.

Founder Lyzanne Du Plessis said she owes her life to speaking English well and easily making friends in New Zealand.

It saved her after she nearly went off a cliff: a real one, not a metaphor.

The course is coming north after a successful South Island pilot.

Topics include Kiwi slang, dairy farming vocabulary, migration rules, schools, and programmes like the ACC and Kiwisaver.

It covers ways to access mental, emotional and physical wellness support.

“It helps facilitate trust and bridge the initial huge language barrier,” Du Plessis said.

She said isolation was the challenge: students often do not drive, so can’t leave their farms easily to attend English classes.

Cultural norms make it hard to speak up and the language barrier makes it hard to find New Zealand friends, or understand the teachers at children’s schools.

Du Plessis, who is from South Africa and lives in Christchurch, knows that a new country takes getting used-to.

When she first arrived, she broke her foot but didn’t go to the doctor “because I didn’t know about the ACC”. Later, it needed surgery.

She thanks the online language learning business Te Puna Reo Māori, owned by Anita Gill, for offering its platform free, and connecting her with Philippines-based English teachers through existing staff.

The pilot launched two weeks later. Despite the timing, during calving, it got an “overwhelming” response.

“The improvement in the students’ confidence was incredible.

Afterwards, they felt comfortable to approach a Kiwi and say something.”

Through recent funding from Rural Women Southland Interprovincial, the next course starts next month.

So what about that cliff? While dairy farming at Te Miro near Cambridge, Du Plessis’ second child was born - and “didn’t sleep at all”.

She fell asleep driving and woke as her car was approaching a cliff.

“But my Kiwi friends told me about Plunket and a sleep clinic.”

Without those conver-sations, she might not be here.

“21 years ago, I was a rural migrant wife that had to go through all the adjustments to settle in a new country, new climate, new culture, and isolated form my normal support networks back in my home country.

It was my ability to speak English that helped me integrate into the rural community, make Kiwi friends, and find the support I needed, in those early years in New Zealand.”

Language programme push

Katrina Christison

I personally don’t like using weed matting in gardens. I prefer to properly prepare the garden by removing all weeds first.

If done thoroughly, there’s no need for weed matting to suppress weeds.

However, I still like to cover the soil with a more environmentally friendly method - cover the garden bed with a thick layer of newspaper or cardboard.

Then, spread a thick layer of mulch (5-8 cm deep) over it.

This will block sunlight, suppress weed growth, and prevent weed seeds from germinating.

Using newspaper or cardboard is also an excellent way to recycle materials that might otherwise end up in a landfill. It’s an eco-friendly practice that promotes sustainability.

When using cardboard, make sure to remove all tape and labels as these don’t break down.

Once you have covered your soil with either the newspaper or cardboard, wet it thoroughly, this will not only hold it in place it will also start the decomposition process, then spread your mulch on top.

The benefits of using cardboard/newspaper - cost effective, supresses weeds, retains moisture in the soil, breaks down naturally, is a great way to recycle, easy to lay, attracts worms which will help aerate the soul and feed the soil with their castings.

Above is a photo of a garden that had weed mat which we removed, and the poor birch tree’s roots were growing along the top of the weed mat.

The reasons I don’t like using it is that it leads to poor soil health, as it can restrict the water and air movement to the soil.

You will notice this when you remove weed mat you find hard compacted soil which is not good for plant growth.

Organic matter like fallen leaves can’t feed the soil as they break down, in some case plant roots may struggle to penetrate the fabric like the photo above.

Weeds still come in with birds, and once their roots take hold they are much harder to weed, if you have used newspapers or cardboard, weeding is much easier.

To weed mat or not

Paul Charman

Peter Still says he wouldn’t dream of missing Armistice in Cambridge, which will include a celebration of military vehicles on November 7 and 8.

But you get the impression walking around his Ōtorohanga yard that Still could stage a pretty good vintage vehicle show without leaving home.

The tow truck driver and vintage vehicle expert has the kind of collection petrol heads can only dream of. It doesn’t stop with military vehicles: Still has fire engines, earth-movers, classic cars and trucks and a few modern ones. He has no idea how many vehicles sit on his Vue Lane property.

Still served his time as an apprentice mechanic at the Ōtorohanga Ford dealership in about 1963. In 1973 he started Peter Still Motors, Otewa Rd, and ran it for 30 years. The business still runs under this name.

Today Still mainly does towing work.

“But I’ve always liked the old vehicles,” says the NZ Military Vehicle Club member, adding unprintable comments about modern computerised electronics.

Though cagey about his age Still admits having collected rare cars and truck for decades. Some get left outside but many are shoe-horned into half-a-dozen enormous sheds, to be restored by Still and son Jason. The father and son’s greatest delight seems to be showing them off at Christmas parades and other community events.

“I don’t know why but the kids really seem to like my 1941 Bren Gun Carrier,” Still says, pointing to a magnificently restored tank-like vehicle which runs on tracks.

“I don’t know whether it’s the tracks which run on rubber pads, or the nice-sounding side-valve motor.”

He also has a tracked personal carrier from the early 1960s, which can carry 10 soldiers plus a gunner and driver. There’s a 1940s GMC 6x4 truck with four driven wheels at the back and a 1941 Leyland Retriever crane truck.

There are also eight fire engines, mainly collected from across the North Island, with a few of them -- like his latest acquisition, a 1951 Ford V8 crash tender fire truck -- imported from the South Island. What does he like about fire engines?

“I don’t know – they’re a different flavour -- makes a change from the military stuff,” says Still with a wink.

Over the years Still became expert at retrieving old vehicles from the back of farms and cast-offs from transport companies. He also has knack of cannibalising spare parts and making what he can’t locate.

“My Bren Gun Carrier had been discarded at the back of a farm way out the back of Maihiihi. It had the wrong motor and diff but they hadn’t cut the top off, so I had something to work with.”

Still makes contacts online but refuses to send emails.

“If I can’t pick up the phone and have a conversation with the guy I’m not interested.”

Many of the old vehicles still roar into life at the touch of a button. Still’s ex-NZ Army recovery truck, which dates from 1973, has three winches with enough power to pull heavy vehicles (like tanks) out of ditches.

Among his most unusual vehicles is a “Thames Cross Cutter”, purchased from a Mosgiel Airfield. This was designed to strap aircraft engines onto the back, where they were tested mechanically.

His most nostalgic collectable is very likely a 1929 Essex Super Six.

“It’s the same kind of car my dad used to drive and the model I went for my licence in as a teenager.”

Transported in time

The hit Abba musical “Mamma Mia,” is just four weeks away from lighting up the Te Kūiti Little Theatre stage.

The cast include 26-year-old hip-hop dancer Jazmin Williamson who lives in Ōtorohanga – and plays Judy, one of the main character’s bridesmaids. Her favourite items are “Waterloo” and “Under Attack.”

“I’m finding it so fun; it’s really building my confidence.”

Her family is from Piopio, although she lived in Australia until 2006.

Despite her love of dancing, with singing and acting she was “never confident.” But there’s a first time for everything. Especially when those things are big life goals.

“I’ve always, always wanted to do musical theatre.

“About two years ago I saw an advertisement for auditions for Grease.

“After that I auditioned for a few musicals up in Hamilton, but unfortunately didn’t get in. So when I saw one was happening in Te Kūiti, I was so excited.

At first, she thought she hadn’t got the part.

“They couldn’t ring me, because I’d been so nervous I’d accidentally given my phone number as half my number and half my partner’s.”

“I only expected to be a backup dancer.”

But she did make the grade – and the rest is history. Her family’s been “incredibly supportive” with stepdad Michael Heald in Tasmania one of the first to know. She also had “lots of help” in learning her lines, from her younger sister.

And there’s been lots of support from the Mamma Mia team too,

“The singing lessons were amazing. I found out I’m a soprano, and I didn’t even know that was a thing.”

Jazmin hopes to take her passion for song and dance overseas, perhaps as a cruise ship dancer. But that’s on hold right now, because three-year-old son Lucca Wilson is still so little.

And how did Mamma Mia come to Te Kūiti?

It’s all connected to a musical love affair that began in the 1980s – when a young Allan Marsden realised his passion for the Abba song “Chiquitita.”

“One of my sisters was singing it around the house – it had such a good beat,” he said. “It’s still my favourite.”

It’s been a triple challenge for 32 brave performers, director Marsden says.

The cast is talented – and very fresh.

“Most haven’t been on stage before – as with [2023 production] the Vagina Monologues.

“They put their hands up because they loved the music of Abba and wanted to be involved.

“It’s going wonderfully.

The youngest is Year 8 St Joseph’s student, Thanya Pandian: “she’s just so great and confident,” he said.

Rehearsals have been happening for six weeks, so far.

“They’ve been learning the songs, the scenes, and the dances. Now we’re putting it all together – that’s the hardest part,” Allan said.

The final performance is “full or surprises” including the “top secret” nature of his role – as well as directing, he’s on stage too.

And for the audience?

“Don’t expect to just get in there and watch a show – there will be a good ol’ sing along.”

Young mum gets the Abba vibe

Andy Campbell

A raid near Maihiihi, east of Ōtorohanga, allegedly found 64 unregistered dogs last week.

District council and SPCA staff found the dogs at the Takiwatanga Sanctuary Trust on Tauraroa Rd.

Some were classified as dangerous, Ōtorohanga District Council regulatory and growth general manager Tony Quickfall said.

He said other animals were found living in unsatisfactory conditions, but as the council involvement was under the Dog Control Act, the SPCA was looking into the welfare of the other animals.

The animal shelter made news in 2019 when it was reported owners Steve and Phil Brown had set up their King Country home and farm as a sanctuary for children with disabilities and their families.

When The News visited the Browns this week Phil Brown said the dogs were registered, and he did not want to talk further.

Quickfall confirmed the property owners visited the council offices the day after the raid and discussed the situation with animal control staff.

As a result, the owners agreed to register all 64 dogs and have developed a plan to reduce their numbers.

“This is a promising step forward and Animal Control staff will work closely with the owners to ensure this transition is smooth and successful.”

Issues outside the district council’s area of operation are being looked into by the Waikato Regional Council.

The October 3 action followed multiple attempts by Animal Control to work with the property owners to resolve issues, Quickfall he said.

“The visit was necessary after the owners failed to respond to a formal notice requiring them to register the dogs.

Relevant health and environmental authorities have also been notified and potential investigations will follow,” he said.

In July 2021 it was reported almost 500 animals - including dogs, rabbits, birds, llamas, horses, chickens and sheep - were among the residents at the sanctuary.

The News was contacted last Thursday by a farmer in the district who said the animal sanctuary had been an issue for some time with persistent reports of large numbers of dogs unfed, and other animal neglect.

Sanctuary trust home raided

Are you thinking of changing or re-doing some of your garden and don’t need a full scale plan/design?

Think you can’t afford help from a garden designer?

Well did you know that some garden designers offer 3D visualization services, allowing you to see what parts of your garden could look like with a 3D visual.

Why Choose a Garden Designer for 3D Visuals?

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Their expertise ensures that your garden will not only look beautiful but also thrive in your specific conditions.

They can recommend the best plants and design elements to suit your garden’s unique characteristics.

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These visuals allow you to see exactly how different plants, hardscapes, and features will look in your space.

This level of detail helps you make informed decisions about your garden



design.

3. Cost-Effective Planning: Hiring a garden designer for 3D visuals is a cost-effective way to plan your garden.

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This can save you money by preventing costly mistakes and ensuring that the final design meets your expectations.

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Creating a beautiful garden is easier and more rewarding with the help of a professional garden designer.

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Professional 3D visuals offer a cost-effective, personalized solution for homeowners who want to bring their garden ideas to life.

So, connect with a garden designer today and start transforming your outdoor space into a stunning oasis!

3D Garden Visuals

The deadline for artists to sign on to be part of the Ōtorohanga Art and Music Festival - ArtBeat 2024 is 17 days away and performance timeslots are filling fast.

That’s the message from lead organiser Rebecca Dowman-Ngāpō, who has seen plenty of interest in the event to be held at Ōtorohanga Museum.

“A good number of artists from a wide range of disciplines are on board but we haven’t closed the books yet,” she added.

“So far we have booked some amazing rangatahi - a poet and a hip-hop artist, we have a local busker and a range of local musicians; we have exhibiting artists who work with clay, fibre, wood, technology and paints – you name it.”

Centre stage would be the event’s featured artist, photographer Richard Wallace, who with his wife Ruve, recorded people and happenings in the district from 1963 to the mid-2000s.

Richard will deliver an artist’s talk about his career and photography followed by a mix and mingle event which would be held as part of the farewell for the couple, who are shifting to Western Australia at the end of the year.

“The Wallaces have given their life’s work – more than 50 years of catalogued negatives and prints – to the museum, and some of these prints will be exhibited at ArtBeat.

The event will also coincide with museum’s 50th Anniversary since the Courthouse was moved onsite,” Dowman-Ngāpō said.

Other feature artists working on site during the weekend include prolific Waitomo carver and painter Daniel Ormsby, pastel artist Rita Shaw, potter Kathleen Cederman and Kane Wharepouri.

“With about 35 years of media experience, Kane is a relative newcomer to the world of animation, but he has already achieved international recognition for his work.”

A display in the Te Waonui o Tāne waka room will celebrate the achievements of the late Derek Kōtuku Totorewa Wooster who created the first ArtBeat event in 2020-21.

Dowman-Ngāpō said the event had received community support from pre-schools, schools and Beattie Home.

Students from Ōtorohanga College would be taking part and activities for families and the younger set would involve a scavenger hunt with prizes.

Many of the Main Street shops are on board to showcase mini exhibitions from these schools and facilities and Mitre 10’s Toby the Train would carry members of the public from there to the museum during the festival.

“The word has gone out far and wide and we’re hoping for good support from right across the Waikato.

“I know there are exciting things being created across our area and we can’t wait to share them and engage with the community at large.”

Plenty on ArtBeat bill

Staff Reporter

The Museum of Caves at Waitomo is set to screen a series of short adventure films.

The two-day session starting tomorrow is intended to support the community museum’s educational offerings.

The mini movies were selected as the best of many submitted to the New Zealand Mountain Film and Book Festival, held each July in Wānaka.

“The ones which tour are chosen from the best of those submitted. The best entries are subsequently offered to community outdoors groups which hope to connect with enthusiasts in their local areas,” co-organiser Biddy Stubbs said.

Mountain climbing is the obvious subject, but anything fun, outdoors and slightly dangerous is fair game: caving, kayaking, canyoning, heli-skiing and more.

“It’s the annual fundraiser for the Museum of Caves, but it’s also a way to let people know about the museum and what it offers.

Waitomo puts on its shorts

Kane Wharepouri’s recent foray into the world of animation has generated interest from the industry in projects he and son Anaru,15, are developing.

The father and son, who live in Ōtorohanga, entered the field of animation in April and have an array of projects underway.

They are developing a video game called Seventh Star Odyssey, and creating videos to serve marginalised communities like the blind and the deaf and are keen to also make videos that appeal to autistic people.

In that last category the father and son have created a rowdy character called Hauputu. Kane describes him as “a real tearaway, a boisterous type and maybe a bit of a wrecker”.

They hope Hauputu’s adventures will appeal to autistic people, whose condition can make daily life hard to process.

Animation has been percolating at the back of Kane’s mind for many years.

“As a youngster I loved cartoons and back in the day found out all I could about how to make them,” he says.

“I saw that animation was an amazing creative vessel in which to carry your thoughts, ideas and dreams. But I was put off at that time by the levels of art and technical skill one had to have to enter the industry.

“I suspected my skills would not be good enough, so instead I got a career in music and video editing, which sort of operates in parallel with the animation industry.”

He later became a sound engineer working in the recording industry and on live concerts, worked in radio and sang in a band called Melodika, which performed in multiple languages.

What precipitated the return to his early dream of becoming an animator was the realisation that advances in technology, and especially AI, had made the field far easier to become established in.

“Anaru was very interested, so I thought here’s an opportunity to try out for the world of animation together.

“I had plenty of ideas, put together a demo reel and submitted it to a Wellington company called Floating Rock. They work with many studios and if they think your idea is great, they’ll give you money to develop it – which is what happened.”

He and Anaru travelled to Wellington and met people involved in animation.

“The real advantage New Zealand has is that it has the reputation for being one of the best places in the world for animation. But it’s still quite a small world and the people at the top are friendly and approachable.

“We have been mentored by leaders in the industry, some of whom are now retired. But they still have a passion to develop talent and new ideas.”

Animators on a roll

Ōtorohanga museum wants its district council to think about moving the historic Rewarewa school building from Barber Rd into town where it can be put to use as part of the museum’s creative hub.

“It’s not been used for over 20 years. If it doesn’t come down into town, I just think it will deteriorate,” museum director Liz Cowan said during the public forum of a council meeting. “The feasibility of going out of town 21km and maintaining it is not great.”

She said there was room for the school on the museum site, but the preferred location was between the Girl Guide’s hall and the museum.

“If you put that lovely building there you would have the frontage all lining up and you would have a really lovely complex,” she said.

She had no idea how much it would cost to move the historic building, which would be about a 40km trip, as the school would not fit under the Otewa bridge. It would have to travel back down Old Te Kūiti Rd and onto SH3 at Hangatiki.

“At the moment it is just sitting up there. It is owned by council so there’s an implicit responsibility to maintain it. It’s just dying. And if you can’t see your way to moving it here or you don’t have the money - we don’t have the money, and we will be hoping to be getting enough to keep people employed - then sell it to someone who will love it. It’s precious and it’s the only one left in the whole district.”

The school was built in 1917 and has a matai floor and possibly rimu walls.

“It looks to be in pretty sound condition. It needs a good paint, obviously a clean out… it’s obvious that people have been in there, but my husband put a lock there,” Cowan said.

Museum creative co-ordinator Rebecca Ngapo said the museum had recently undergone a pretty big makeover and they were working hard to re-mould it with useful spaces – including adding wheels to some of the larger bits of furniture.

Te Reo classes were run in the courtroom, there was also recent tai chi workshop and art workshop held at the museum. She had planned to hold a children’s workshops in the 3x3m police office.

But it was firstly a museum space, and some of the workshops are not appropriate to run during museum hours. A Māori weaving workshop for example needed stillness and quiet she said.

“It was run over eight weeks and having people through the museum it was obstructive to that whole beautiful process. And it was not fun I think for the staff either, trying to creep people through,” she said.

Other workshops made a bit of mess. A clay workshop created dust. Holding workshops in the museum space wasn’t great for the artifacts or displays.

Adding the Rewarewa school to the creative hub would provide a community space that could be used by the creative community. Ngapo said they were trying to breathe life into the museum and make it a space people wanted to use for a performance space, exhibitions and community events like Artbeat.

The cost of moving the school would be partially offset by preserving and salvaging a local historic building. It would be looked after under the Ōtorohanga Historic Society and by people motivated to use it within the community, Ngapo said.

The town had its sports clubs, the club, Menz Shed, tennis courts, but no spaces for creatives where they could network, run workshops, exhibit work.

Call to move 'precious' school house

Looking out a window to a plain, unsightly fence or wall can feel uninspiring.
Instead of letting the fence/wall dominate the view from inside your home with a bit of creativity you can transform that dull view into a vibrant extension of your indoor space, as a focal point looking out the window.
This can be done with something as simple as some outdoor art. A mural or weatherproof artwork on the fence or wall outside the window creates a visual centrepiece.
Or you could do something like outside the window paint the fence/wall then add vertical battens up the wall/fence and across to the top of the window.
Add a planter box at the bottom. This space is only 1500mm wide from the house to the wall but from looking out the window now you would never know that the space between the house and the fence/wall is a ugly unused space.
The options are endless, this is only one option. Others are running wires up the fence and growing climbing plants like jasmine, clematis, or even a colorful wisteria to soften the edges and bring life to the fence/wall.
Adding solar powered fairy lights or lanterns can introduce warmth and ambiance, making the view enjoyable day or night.
With a few thoughtful touches, that once-ugly fence becomes a beautiful canvas for creativity, inviting a sense of calm and beauty into your home.

Creating a view

A Te Kūiti grower was among the winners at the daffodil community’s most glittering event, the North Island National Daffodil Society Show, held in Hamilton last weekend.
Lisa Watkins took home four collection classes and two premiers among her results, assisted by husband Raymond, who helped with the lengthy preparation and is named on all the entries.
Their awards included the Mercer Challenge Cup (6 daffodils), Avery Challenge Trophy, Ron Hyde Trophy, a prize for six stems in Division 2, Amateur Premier Bloom (the winning boom was “Deltone”) and the Small Cup in the amateur division with a flower, “Showdown.”
One of the show’s biggest winners, in the competitive Champion Bloom category, came from further afield.
“Denise Macquarie from Christchurch won the champion flower this year, with a daffodil called Morrinsville which was bred by Dr Peter Ramsay from Hamilton,” Lisa said.
And she should know about that - Champion Bloom was the category Lisa took out last year, telling The News she had been working towards the title for 14 years before blossoming as a winner.
Her “wee intermediate flower Little Trinket” won reserve champion.
“It was very well done. Everyone looked and sounded great,” Lisa said.A Te Kūiti grower was among the winners at the daffodil community’s most glittering event, the North Island National Daffodil Society Show, held in Hamilton last weekend.

Lisa Watkins took home four collection classes and two premiers among her results, assisted by husband Raymond, who helped with the lengthy preparation and is named on all the entries.

Their awards included the Mercer Challenge Cup (6 daffodils), Avery Challenge Trophy, Ron Hyde Trophy, a prize for six stems in Division 2, Amateur Premier Bloom (the winning boom was “Deltone”) and the Small Cup in the amateur division with a flower, “Showdown.”

One of the show’s biggest winners, in the competitive Champion Bloom category, came from further afield.

“Denise Macquarie from Christchurch won the champion flower this year, with a daffodil called Morrinsville which was bred by Dr Peter Ramsay from Hamilton,” Lisa said.

And she should know about that - Champion Bloom was the category Lisa took out last year, telling The News she had been working towards the title for 14 years before blossoming as a winner.

Her “wee intermediate flower Little Trinket” won reserve champion.

“It was very well done. Everyone looked and sounded great,” Lisa said.

Dancing with daffodils

A variety of art and craftwork was on display at the Waitomo Society of Arts exhibition at the Les Munro Centre last week.
Society of Arts president Sibyl Iremonger said visitors to the four-day Te Kūiti exhibition got to see some of the multiple mediums and styles demonstrated by local artists.
“The talent evident in these exhibits is impressive to say the least,” she added.
“And it’s so important to encourage our creatives by giving them an opportunity to display their work.”
The exhibition, which also comprised arts and crafts from schools, gave the community a window into various projects artists in their midst were currently working on.
Iremonger highlighted watercolours by guest exhibitor Rebecca Dowman-Ngāpo, Ōtorohanga; mixed media by Waitomo artist Daniel Ormsby; fibre art by Carol Fagan; felting by Karen Petch and multi-block woodcuts hand painted by Heather McLean.
Pottery on display had a special back-story attached, having come from the property of potters and glass workers Ron and Jane Gannaway.
The couple spotted a vein of interesting blue-coloured clay while cleaning up following floods last year.
It had been made into pots by potters, who noted that it darkened considerably on the second firing. The result was a unique selection of pottery and clay work that made up part of last week’s exhibition.
Jane Gannaway said Te Kūiti people should not be too surprised to see pots made from locally sourced clay.
“After all, back in the day, our town had its own brickworks, which used locally sourced clay. So just for good measure, we hunted out one of those locally manufactured bricks and put it on display alongside our pottery collection.”

Plenty to see at exhibition

A medal given to the family of a soldier from Hangatiki who died in 1941 during WWII is about to go to auction. Thomas Green, son of Tawhi Te Puaha Kirini Green and Teremaanu te Amohanga nee Te Hauparoa was killed in action with New Zealand forces in North Africa aged 23. The Memorial Cross presented to his family is estimated to sell for $400, Mowbray Collectibles managing director David Galt said.

Up for auction

With blossoms and spring flowers bursting all around us it brings hope of things ahead, new growth, new life and new hope.
A couple of the trees that are taking center stage at the moment are:
Prunus ‘Awanui’ (above) - This beautiful tree reminds me of candy floss as it is covered in the prettiest pink blossoms.
Awanui is a large growing cherry growing to 5m in height and has a spread of 8m so if you are going to plant one make sure you have the space to let it grow to its full potential.
It thrives in well-drained soil and prefers a sunny position. It is relatively low maintenance as it can benefit from occasional pruning to maintain its shape & encourage healthy growth.
Additionally, to its beauty it supports ecosystems by providing a happy place for bees during its flowering season, where it comes alive with their buzzing.
Michelia yunnanensis (pictured right) – is a stunning smaller growing tree that is often grown as a beautiful hedge.
Let to grow in its true form without being trimmed it will grow to 3m in height and 2m wide making it perfect for a smaller garden.
It has glossy green leathery foliage, with velvety brown buds that open to beautiful scented little cream flowers in early spring although mine have been flowering a couple of times a year lately.
A few cut stems look great in a vase and bring that lovely scent inside. They grow happily in full sun or partial shade with moist but free draining soil and are evergreen.With blossoms and spring flowers bursting all around us it brings hope of things ahead, new growth, new life and new hope.

A couple of the trees that are taking center stage at the moment are:

Prunus ‘Awanui’ (above) - This beautiful tree reminds me of candy floss as it is covered in the prettiest pink blossoms.

Awanui is a large growing cherry growing to 5m in height and has a spread of 8m so if you are going to plant one make sure you have the space to let it grow to its full potential.

It thrives in well-drained soil and prefers a sunny position. It is relatively low maintenance as it can benefit from occasional pruning to maintain its shape & encourage healthy growth.

Additionally, to its beauty it supports ecosystems by providing a happy place for bees during its flowering season, where it comes alive with their buzzing.

Michelia yunnanensis (pictured right) – is a stunning smaller growing tree that is often grown as a beautiful hedge.

Let to grow in its true form without being trimmed it will grow to 3m in height and 2m wide making it perfect for a smaller garden.

It has glossy green leathery foliage, with velvety brown buds that open to beautiful scented little cream flowers in early spring although mine have been flowering a couple of times a year lately.

A few cut stems look great in a vase and bring that lovely scent inside. They grow happily in full sun or partial shade with moist but free draining soil and are evergreen.

Spotlight on trees

Former Kāwhia museum director John Thomson has quit his day job - at 76 - to focus on his passion for music and his band’s first album is about to be released.

Playing for some years as JT and the Agnostics, bass player John and fellow Gold Card holder guitarist Maciek Hrybowicz are about to release a 12-inch vinyl record with a collection of musicians he feels “lucky and privileged to play with”.

They include Bill Forest on saxophone, drummer Mickey Ututaonga, and 2022 musician of the year Ben Gilgen on keyboards. Neil Reynolds plays drums on one track, Grant Mason plays trumpet, Massey Ormsby, Jimmy Merch and Katt Bayne feature on various tracks.

The album emerged from the first lockdown in 2022. Hrybowicz and Thomson met some years earlier through some Hamilton musicians and they just clicked, Thomson said.

Thomson was sitting in the garden, phone in hand, knowing Hrybowicz had a home studio.

“Maybe we could do something while we are locked down. That’s kind of how it started really,” Thomson said.

“So we started writing together over the internet. We did a few tunes, and then we decided to do a full album – and we just started again.”

The other players arrived serendipitously through word of mouth after Hrybowicz was seen playing at a gig and talked about what he was up to with other musos.

Why vinyl?

“A, the pallet, and what happens is if you buy the vinyl there will be a sticker on the outside of it which will take you to bandcamp.com, which will allow you to download it. Not stream it, download it - if you haven’t got a turntable or even if you do have a turntable.

“I was a bit dubious about it till I found out that 75 per cent of the people in America that buy vinyl don’t have a turntable.”

“Titled ‘Yes, more blues’ Thomson calls the music jazzy blues with a kiwi touch.

“Part of it is there’s always been quite a strong jazz tradition in New Zealand. That’s part of it. We don’t always stay to a 12-bar format, I think there’s about one 12 bar blues on the album. Blues and jazz mixed up together, really.”

It will get their feet tapping and he hopes to “engage their brains a bit”.

“The songs are quite wordy too. I don’t just write ‘got out of bed this morning darling, feeling so blue...’ or anything like that. I’m trying to extend the format a bit.”

They use diminished chords, he said, and people get to solo on the album.

“We are able to reproduce what we play on the record, - live because it’s all actual humans playing. We produced it ourselves, paid for it ourselves.

“The vinyl is mastered differently from the digital copy that you can download. And there’s only four tracks on either side so the grooves are quite deep, which means you get a better dynamic range. That’s only going to appeal to the audiophiles market, but it is in there.”

The release gig will be at Hamilton’s Nivara Lounge on October 5Former Kāwhia museum director John Thomson has quit his day job - at 76 - to focus on his passion for music and his band’s first album is about to be released.

Playing for some years as JT and the Agnostics, bass player John and fellow Gold Card holder guitarist Maciek Hrybowicz are about to release a 12-inch vinyl record with a collection of musicians he feels “lucky and privileged to play with”.

They include Bill Forest on saxophone, drummer Mickey Ututaonga, and 2022 musician of the year Ben Gilgen on keyboards. Neil Reynolds plays drums on one track, Grant Mason plays trumpet, Massey Ormsby, Jimmy Merch and Katt Bayne feature on various tracks.

The album emerged from the first lockdown in 2022. Hrybowicz and Thomson met some years earlier through some Hamilton musicians and they just clicked, Thomson said.

Thomson was sitting in the garden, phone in hand, knowing Hrybowicz had a home studio.

“Maybe we could do something while we are locked down. That’s kind of how it started really,” Thomson said.

“So we started writing together over the internet. We did a few tunes, and then we decided to do a full album – and we just started again.”

The other players arrived serendipitously through word of mouth after Hrybowicz was seen playing at a gig and talked about what he was up to with other musos.

Why vinyl?

“A, the pallet, and what happens is if you buy the vinyl there will be a sticker on the outside of it which will take you to bandcamp.com, which will allow you to download it. Not stream it, download it - if you haven’t got a turntable or even if you do have a turntable.

“I was a bit dubious about it till I found out that 75 per cent of the people in America that buy vinyl don’t have a turntable.”

“Titled ‘Yes, more blues’ Thomson calls the music jazzy blues with a kiwi touch.

“Part of it is there’s always been quite a strong jazz tradition in New Zealand. That’s part of it. We don’t always stay to a 12-bar format, I think there’s about one 12 bar blues on the album. Blues and jazz mixed up together, really.”

It will get their feet tapping and he hopes to “engage their brains a bit”.

“The songs are quite wordy too. I don’t just write ‘got out of bed this morning darling, feeling so blue...’ or anything like that. I’m trying to extend the format a bit.”

They use diminished chords, he said, and people get to solo on the album.

“We are able to reproduce what we play on the record, - live because it’s all actual humans playing. We produced it ourselves, paid for it ourselves.

“The vinyl is mastered differently from the digital copy that you can download. And there’s only four tracks on either side so the grooves are quite deep, which means you get a better dynamic range. That’s only going to appeal to the audiophiles market, but it is in there.”

The release gig will be at Hamilton’s Nivara Lounge on October 5.

Kāwhia band cuts some tracks

With spring time happening all around, you might notice lots of the pesky onion weed flowering along road sides or even in areas in your garden.

Did you know that this troublesome invader is actually edible?

Most of us think of this bulb as a nuisance that needs to go, but instead of fighting a losing battle why not embrace it and look into its culinary potential.

It can be used in the same way as you would use chives and spring onions, its mild onion flavor can be a tasty addition to various dishes, making it a surprisingly versatile ingredient.

Its leaves and bulbs can be chopped and added to salads, soups, or stir-fries, offering a subtle, savory taste that complements a wide range of dishes. Some adventurous cooks even use it in pesto or as a garnish, adding a unique twist to their meals.

However, before harvesting onion weed from your garden, make sure the area hasn’t been treated with pesticides or other chemicals.

If you’re looking to make the most of this invasive plant, consider incorporating it into your cooking rather than simply discarding it.

Not only will you reduce waste, but you might also discover a new favorite ingredient right in your backyard.

Have a google for other recipes

Super Salt Recipe Vegan | Gluten-free

Makes 1 cup (200g)

Gather your ingredients and pre-heat oven to 50-60°C and line a perforated tray (if using this method), otherwise get your dehydrator set up.

Prepare the following and spread out in a single layer:

1 cup onion weed stems and leaves, sliced into 5mm slices

8-10 kawakawa leaves

2 hand sized pieces of kelp or seaweed

Dry until crispy to touch, it will take from 2 to 4 hours depending on whether you use an oven, dehydrator and what kind you have. Grind in batches in a spice grinder or mortar and pestle with:

1/2 cup rock salt

Grind to the to the consistency you prefer and store in a jar with the lid secure. It will last indefinitely.

Enjoy this salt on everything! It also makes a fantastic stock substitute.

https://www.theveggietree.com/single-post/2018/06/19/wild-edible-weeds

Edible flowering weed

Following an online petition calling for restoration of the Big Apple at Hangatiki, owners of the landmark have agreed to maintain it.

The chief executive of THL, Grant Webster, said this work would be done, “as the weather allows coming into drier months”.

Webster has thanked Piopio resident Karen Barrett who launched the petition, last month noting the big apple had deteriorated, with peeling paint, rust, moss and graffiti now to be seen on it.

Her petition had attracted 184 signatures when this edition went to press. Webster wrote to Barrett last week thanking her for bringing the state of the landmark to his attention.

“It’s great to see the collective passion for what many community members identify as a key community icon at one of the gateways to the Waitomo Region,” he said.

Barrett responded that she would be waiting for the big apple landmark “to get its polish” before closing-down the petition.

“I am really happy that he came straight back (after writing to him); THL obviously pay attention to communities,” Barrett said.

She added that it paid to act when you see something deteriorating.

“But all said and done this is a large publicly listed company that should have the resources for a coat of paint and a water blast.

“So far so good. When I see that the landmark has been fully restored, I will post a picture and spread the word.”

Petition bears fruit

John Robertson

At the Local Government Conference last month the Prime Minister sent a clear message to Councils.

“Ratepayers expect local government to do the basics and to do the basics brilliantly. Pick up the rubbish. Fix the pipes. Fill in potholes.”

He added, “ratepayers are sick of the white elephants and non-delivery. So, my challenge to all of you is to rein in the fantasies and to get back to delivering the basics brilliantly.”

Tough words, but hard to disagree. Let’s provide basic services well and in a climate where ratepayers are feeling the pinch, not add on “nice to haves”.

However, just what the “basics” are is not well defined.

Roads, water, and rubbish account for most council expenditure.

But then there is a second grouping including libraries, aquatic centres, recreation centres and public toilets. There are town halls, and in Waitomo’s case, the Les Munro Centre. And there are parks.

Libraries, aquatic centres, public toilets, town halls and parks all need a significant contribution from ratepayers for ongoing maintenance. In Waitomo’s case, the Gallagher Recreation Centre is the exception, with revenue covering operational costs.

Councils can only do so much to reduce the cost burden on ratepayers of such amenities.

We can reduce the size of parks and the number of public toilets. But such reductions will cause public protest. We can share facilities with neighbouring councils.

The Les Munro Centre for large public gatherings, the Gallagher Recreation Centre for indoor sports, and Te Kūiti’s dog pound are facilities used by residents from both Waitomo and neighbouring councils.

In a third grouping there are the “nice to haves.”

These include holiday parks, tourism promotion, economic development, and grants to regional organisations.

During my tenure our council has been reducing such expenditure year by year out of financial necessity.

What the Prime Minister did not talk about was the reconfiguration of council boundaries. Such reform last took place 35 years ago.

There are growing conversations led by mayors in both the North and South Islands about opportunities to reduce the burden on ratepayers further by way of amalgamating council administrations. Sharing services between councils achieves some rationalisation of costs. Some of this is done now.

But it is when district councils with a low population bases combine their organisations to reduce duplicative overheads that larger savings for ratepayers can be achieved.

Getting down to basics

Tēnā te whaitua nui, Ka pū te taha wānanga, He āpiti nuku, he āpiti rangi, he whakaotinga aroha ki a koe, Kīngi Tūheitia, Kīngi o Te Kotahitanga.
I write this as we are in the throes of farewelling our Māori King, Tuheitia. The speeches on behalf of the iwi, of the thousands who have gathered and continue to gather on Tūrangawaewae Marae have been memorable for their eloquence, but more for the genuine expressions of regret for his passing. One such sentiment was from the University of Waikato, given in Māori. Here is my translation: ‘Tuheitia - ancestor who became a taniwha; Tuheitia - ordinary man who became a King; Tuheitia - truck driver who became a Doctor of Philosophy’, having been awarded the very highest honour a University can bestow on anyone.
Another recognised how uncomfortable Tuheitia clearly was when he was selected by the Rangatira o Te Motu to be their King, and how he was considered to be ‘the man for the job’, who grew into the role over time and affected ‘the job for the man’.
This is perhaps a major point of difference with the Kīngitanga – the Māori King Movement – and all other monarchies; kingdoms; empires. Those kingdoms and empires were established by military conquest, the leader of the strongest of the warring ‘tribes’ promoted by their ‘tribe’ as the monarch, king/queen or emperor/empress.
Over the period of the tangihanga, dignitaries from near and far, will gather to pay their respects. Today – Thursday - the Rangatira o Te Motu – the Chiefs of The Land – will meet in Turangawaewae to decide who will be the King Tuheitia’s successor. Tainui Waka – Waikato – Maniapoto – Raukawa – Hauraki will play no part in those discussions, asserting that we are the guardians of the Kīngitanga, which is the Taonga o Te Motu.
Kingi Tuheitia’s calling for unity has captured the attention of many locally, nationally, internationally.
A legacy recognised in his being referred to widely as ‘Te Kīngi o Te Kotahitanga’ – the King of Unity, a legacy to which speakers have expressed their personal as well as tribal commitment.
Ka tauwehe te Pō, ka pō, Pō, ka ao, ka awatea, Paimārire ki a tātou katoa.Tēnā te whaitua nui, Ka pū te taha wānanga, Ha āpiti nuku, he āpiti rangi, Ha whakaotinga aroha ki a koe, Kīngi Tūheitia, Kīngi o Te Kotahitanga.

I write this as we are in the throes of farewelling our Māori King, Tuheitia. The speeches on behalf of the iwi, of the thousands who have gathered and continue to gather on Tūrangawaewae Marae have been memorable for their eloquence, but more for the genuine expressions of regret for his passing. One such sentiment was from the University of Waikato, given in Māori. Here is my translation: ‘Tuheitia - ancestor who became a taniwha; Tuheitia - ordinary man who became a King; Tuheitia - truck driver who became a Doctor of Philosophy’, having been awarded the very highest honour a University can bestow on anyone.

Another recognised how uncomfortable Tuheitia clearly was when he was selected by the Rangatira o Te Motu to be their King, and how he was considered to be ‘the man for the job’, who grew into the role over time and affected ‘the job for the man’.

This is perhaps a major point of difference with the Kīngitanga – the Māori King Movement – and all other monarchies; kingdoms; empires. Those kingdoms and empires were established by military conquest, the leader of the strongest of the warring ‘tribes’ promoted by their ‘tribe’ as the monarch, king/queen or emperor/empress.

Over the period of the tangihanga, dignitaries from near and far, will gather to pay their respects. Today – Thursday - the Rangatira o Te Motu – the Chiefs of The Land – will meet in Turangawaewae to decide who will be the King Tuheitia’s successor. Tainui Waka – Waikato – Maniapoto – Raukawa – Hauraki will play no part in those discussions, asserting that we are the guardians of the Kīngitanga, which is the Taonga o Te Motu.

Kingi Tuheitia’s calling for unity has captured the attention of many locally, nationally, internationally.

A legacy recognised in his being referred to widely as ‘Te Kīngi o Te Kotahitanga’ – the King of Unity, a legacy to which speakers have expressed their personal as well as tribal commitment.

Ka tauwehe te Pō, ka pō, Pō, ka ao, ka awatea, Paimārire ki a tātou katoa.

It Became 'a job for the man'

He’s called a colourful character, and after having his hair dyed blue for Blue September, he’s thinking about going pink for breast cancer awareness month in October.

But September is for bringing attention to the blue bucket he will be collecting donations for prostate cancer. Every day 10 mates, fathers, sons, brothers, grandfathers will be told they have prostate cancer.

“It’s blue because of prostate cancer awareness month,” Blakeway said. “Everybody is getting shafted by Pharmac, and the government is not doing too well. I think the only way to actually do it is supporting your own fund raising.

“I think everybody knows somebody who’s lost somebody. I’ve lost two workmates who had it.”

Blakeway is the current president of the Te Kūiti Quota Club, which has a membership of about 50/50 men and women. He’s planning to dye his hair pink for October.

Hairdresser Katrina Hussey at Aurora hair and beauty spa said the colour was a combination of midnight blue and blue lagoon dye.

“I mixed them up together then I put them on straight away, because luckily his hair was nice and white. Nice and easy I tell you. It will last quite a while,” Hussey said.

“He wants to do his hair pink. I’ll have to strip the blue out and then go pink.”

He received a special rate for a good cause Hussey said. Anyone else will have to negotiate.

Blakeway’s fundraiser is for the Prostate Cancer Foundation which supports men and their families across the country who are living with prostate cancer and receives no government funding.

It relies on generosity to help the foundations significantly reduce suffering and death from Prostate Cancer.

The Foundation works to achieve this by raising awareness about prostate cancer and the importance of getting regular checks for men over 50.

It funds research into better diagnosis and treatments for prostate cancer, and advocates for improved healthcare services for men with prostate cancer.

“Blue Do” fund raising events can be organised and supported through the foundation’s website.

The foundation also provides support for men and their families living with prostate cancer via a network of support groups, information and counselling services and access to other assistance.

One for the bucket list

Waitomo Aeroclub hosted seven models of Cessna during a recent weekend.

It was said there was every model from 150 to 192, club secretary George Thompson said.

Since 1927, Cessna has produced nearly 160,000 single-engine piston aircraft, more than any other aircraft in the world. American founder Clyde Cessna designed and built the first one and crashed it 13 times before getting it off the ground in June 1911 – and crashing into trees. Cessna continued to teach himself to fly over the next six months and in December 1911, he made a successful 8km flight and a successful landing at his take off point.

A Cessna 192 owner stopped at Te Kūiti on his way from New Plymouth to Whitianga, and that prompted aeroclub members to set up the photo, Thompson said.

Meanwhile, Piopio farmer and long-time flying enthusiast John Carter has been awarded life membership of the Waitomo Aeroclub - he has held the posts of president, secretary and instructor and is the club Safety Officer.

The club will host the Flying NZ central regional rally on November 16, when pilots from Waikato, Tauranga, Rotorua, Taumarunui and Waitomo aero clubs compete in up to 15 events for places in the nationals next March.

A celebration of Cessnas

Spring is just around the corner and the spring bulbs and flowering trees are bursting into flower! Spring is just around the corner and the spring bulbs and flowering trees are bursting into flower!
Fruit trees – As your fruit tree buds begin to swell, now is the ideal time to apply a copper spray. Be sure to do this before any pink blossoms emerge, as copper can be toxic to bees once the flowers are open.
Pay special attention to covering every crevice where bacteria or fungus might be hiding, ensuring your trees stay healthy and strong throughout the season.
New season fruit trees and ornamentals have arrived at our local garden centers, making it the perfect time to start planting. If you’re considering adding some to your garden, now is the time to explore what’s available. For those with limited space, consider espaliering fruit trees against a wall or fence, or choose compact varieties like ballerina apple trees, or the range of mini peaches & nectarines.
A good gardening job for rainy days is cleaning and sharpening tools
Secateurs — it’s a simple process:
Spray your tools with CRC and use fine sandpaper to remove any sap and dirt buildup. Wipe them clean with a rag.
Apply oil to a sharpening stone (available at Mitre 10) and sharpen only the angled side of the blade. You should only need to run the stone over the blade 2-3 times. You’ll know they’re sharp when you hear the crisp snip sound, like that of sharp scissors.
Finally, apply a bit of oil to the central pivot and the spring to improve movement and reduce stiffness.
Shovels, Spades, and Hoes: After each use, rinse off any soil and debris, and let the tools dry completely. For stubborn dirt, use a stiff brush. Once clean, check the edges—sharpening them with a file will make digging and cutting much easier. Wipe the metal parts with an oily rag to prevent rust.
Rakes and Forks: Remove any tangled grass or dirt from the tines, and inspect for bent prongs. If necessary, straighten them with pliers. Like with shovels, wiping them down with a light coat of oil will protect against rust.
Pruners and Loppers: Besides cleaning and sharpening the blades, pay attention to the joints and moving parts. Regularly applying oil to these areas will keep them working smoothly. Also, inspect the blades for nicks and sharpen them as needed.
Hand Tools: Smaller tools like trowels, hand forks, and weeders can also benefit from a good cleaning. Scrub off soil with a brush, rinse, and dry thoroughly. For wooden handles, a light sanding followed by a coat of linseed oil will prevent them from splintering and keep them in good condition.
Regular maintenance not only prolongs the life of your tools but also makes your gardening tasks easier and more enjoyable.

Fruit trees – As your fruit tree buds begin to swell, now is the ideal time to apply a copper spray. Be sure to do this before any pink blossoms emerge, as copper can be toxic to bees once the flowers are open.

Pay special attention to covering every crevice where bacteria or fungus might be hiding, ensuring your trees stay healthy and strong throughout the season.

New season fruit trees and ornamentals have arrived at our local garden centers, making it the perfect time to start planting. If you’re considering adding some to your garden, now is the time to explore what’s available. For those with limited space, consider espaliering fruit trees against a wall or fence, or choose compact varieties like ballerina apple trees, or the range of mini peaches & nectarines.

A good gardening job for rainy days is cleaning and sharpening tools

Secateurs — it’s a simple process:

Spray your tools with CRC and use fine sandpaper to remove any sap and dirt buildup. Wipe them clean with a rag.

Apply oil to a sharpening stone (available at Mitre 10) and sharpen only the angled side of the blade. You should only need to run the stone over the blade 2-3 times. You’ll know they’re sharp when you hear the crisp snip sound, like that of sharp scissors.

Finally, apply a bit of oil to the central pivot and the spring to improve movement and reduce stiffness.

Shovels, Spades, and Hoes: After each use, rinse off any soil and debris, and let the tools dry completely. For stubborn dirt, use a stiff brush. Once clean, check the edges—sharpening them with a file will make digging and cutting much easier. Wipe the metal parts with an oily rag to prevent rust.

Rakes and Forks: Remove any tangled grass or dirt from the tines, and inspect for bent prongs. If necessary, straighten them with pliers. Like with shovels, wiping them down with a light coat of oil will protect against rust.

Pruners and Loppers: Besides cleaning and sharpening the blades, pay attention to the joints and moving parts. Regularly applying oil to these areas will keep them working smoothly. Also, inspect the blades for nicks and sharpen them as needed.

Hand Tools: Smaller tools like trowels, hand forks, and weeders can also benefit from a good cleaning. Scrub off soil with a brush, rinse, and dry thoroughly. For wooden handles, a light sanding followed by a coat of linseed oil will prevent them from splintering and keep them in good condition.

Regular maintenance not only prolongs the life of your tools but also makes your gardening tasks easier and more enjoyable.Spring is just around the corner and the spring bulbs and flowering trees are bursting into flower!
Fruit trees – As your fruit tree buds begin to swell, now is the ideal time to apply a copper spray. Be sure to do this before any pink blossoms emerge, as copper can be toxic to bees once the flowers are open.
Pay special attention to covering every crevice where bacteria or fungus might be hiding, ensuring your trees stay healthy and strong throughout the season.
New season fruit trees and ornamentals have arrived at our local garden centers, making it the perfect time to start planting. If you’re considering adding some to your garden, now is the time to explore what’s available. For those with limited space, consider espaliering fruit trees against a wall or fence, or choose compact varieties like ballerina apple trees, or the range of mini peaches & nectarines.
A good gardening job for rainy days is cleaning and sharpening tools
Secateurs — it’s a simple process:
Spray your tools with CRC and use fine sandpaper to remove any sap and dirt buildup. Wipe them clean with a rag.
Apply oil to a sharpening stone (available at Mitre 10) and sharpen only the angled side of the blade. You should only need to run the stone over the blade 2-3 times. You’ll know they’re sharp when you hear the crisp snip sound, like that of sharp scissors.
Finally, apply a bit of oil to the central pivot and the spring to improve movement and reduce stiffness.
Shovels, Spades, and Hoes: After each use, rinse off any soil and debris, and let the tools dry completely. For stubborn dirt, use a stiff brush. Once clean, check the edges—sharpening them with a file will make digging and cutting much easier. Wipe the metal parts with an oily rag to prevent rust.
Rakes and Forks: Remove any tangled grass or dirt from the tines, and inspect for bent prongs. If necessary, straighten them with pliers. Like with shovels, wiping them down with a light coat of oil will protect against rust.
Pruners and Loppers: Besides cleaning and sharpening the blades, pay attention to the joints and moving parts. Regularly applying oil to these areas will keep them working smoothly. Also, inspect the blades for nicks and sharpen them as needed.
Hand Tools: Smaller tools like trowels, hand forks, and weeders can also benefit from a good cleaning. Scrub off soil with a brush, rinse, and dry thoroughly. For wooden handles, a light sanding followed by a coat of linseed oil will prevent them from splintering and keep them in good condition.
Regular maintenance not only prolongs the life of your tools but also makes your gardening tasks easier and more enjoyable.

Tool maintenance

With 60,000 members nationwide Grey Power has a level of political clout politicians ignore to their peril.

So says King Country Grey Power president Laurie Hancock, who attended a meeting about 10 years ago because he wanted to feel more part of his community.

Now the president of the King Country branch, which serves people in both Waitomo and Ōtorohanga districts, he says the organisation is not to be under-estimated.

“Grey Power is a quiet achiever, working behind the scenes to advocate for the aged,” he says.

“At a regional level we pick up on issues concerning our members. These get passed on to our national organisation whose sub-committees have areas of responsibility like health, disability or crime. When a serious issue comes up chairs of these sub-committees arrange to meet with the relevant government minister and put our concerns directly.”

The 78-year-old Ōtorohanga resident says the organisation offers the enjoyment of associating with an age group sharing similar concerns.

“None of us want to walk down the street and trip over a cobblestone that’s out of place. We have good relationships with the mayors of Te Kūiti and Ōtorohanga and if it’s an issue with mobility scooters facing a hazard when negotiating a tricky curb, or whatever, we’re listened to.”

The organisation meets at St Luke’s Church in Te Kūiti, holding an open public meeting with a guest speaker every second month.

On alternate months there is a committee meeting at which members consider information released from the national organisation and members of the public are allowed to sit in.

“Our guest speakers are drawn from organisations such as Neighbourhood Support, the police and others,” Laurie said.

“Neighbourhood Support helps older people understand what’s happening in their community and what to do if they have a concern. The remind us to make getting to know our neighbours a priority and take an interest in what is going on in our street.”

What particular concerns do aged people have in the King Country?

“Generally speaking we are better off than our friends in the big centres because housing prices are more affordable. But if the aged person concerned is renting, even here at $400 to $500 a week, things can be just as hard.

“We are also keeping an eye on scams which are currently a huge problem for elderly people.

Other concerns included availability of healthcare and overcoming the distance involved access to it. Loneliness and the sense of isolation were huge problems in rural areas.

“There are organisations providing services in the attempt to alleviate this and we aged people have to do our level best to take advantage of what is there for us. If you’re lonely your family can help, of course, but if they are not around look at the organisations which are. Go to the Citizens Advice Bureau or if you know somebody in Grey Power talk to them. Contact Aged Concern.

We have not heard too much about elder abuse, but we know it’s out there. This takes the form of physical, emotional or spiritual abuse. If you’re in this position reach out and we’ll try to help.”

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King Country News, King Country Farmer and the King Country App is independently owned published by Good Local Media Ltd – also publishers of the Te Awamutu News, Cambridge News and Waikato Business News.